On occasion, the scenes are accompanied by digital effects, after effects, that comprise an Intervened or Edited Reality.
On others, they are photographed successively, called stop motion, providing an animation aspect. Some works are edited with the goal of altering time, like Slow Motion, Time-Lapse, and Bullet Time; or of altering spatial perspective like Tilt-Shift, provoking a Model Reality or incorporating elements from extra-reality, like in Augmented Reality.
In the three levels of virtual immersion, style forms are begun, like Video Graffiti, Epic Video, and other specialties born from being dispersed on social networks, and that have a large number of followers, like Parody Video or Fan Video.
Works in the Real or Real Video Art environments are analog images recorded in real life, with creative artists acting or interpreting, taking advantage of artistic creation tools and means of communication. These videos take the environment of that which is real as a starting point. They are regulars in museum exhibits and art institutions, with a plural media treatment. The creations keep traditional filming or are combined with multimedia elements.
On other occasions, the scenes are poetically comprised, like a memory, evoking a Fragmented Reality.
The current nomadic situation and global experience provide new perspectives on storyteling and fictionalized documentalism. The real produces the real.
REAL VIDEO
Peter Greenaway "Nursery Talles" filmscreen
"Polaroids" by Roland Quelven & Isabel Pérez del Pulgar. Moving polaroids as a non narrative accumulation-collection of informations held in collective memories.FOOTAGE / Prelinger free archive - Images recorded in Brittany by Isabel Pérez del Pulgar and Roland Quelven. AUDIO / Sounds from Soundcities database VIDEO / Roland Quelven
Augmented (hyper)Reality: Domestic Robocopfrom Keiichi Matsuda
Clemens Wirth "Late autumn garden"